6 Suites for violoncello solo BWV 1007-1012
A unique research
Historical research, instrument set-up research, a new edition, and a recording. Project made in Berlin. The revival of a lost technique, a new sound.
By Marianne Dumas
Some move the bow as it is customary on the viola da gamba, that is, instead of a down-stroke from left to right for the principal notes, they make an up-stroke from right to left, beginning from the tip of the bow."
J. J. Quantz, Berlin, 1752
(about the cellists)
THE BAROQUE CELLO
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